The action ¿Where to? does not only tell us about the uncertainty of the physic reality where event takes place but also about the intercommunication between me, you and the other. Aymerich places this game in the border between the domain’s imposition and the need for help, a metaphor of the everyday life, that is, the effort involved in survival.

The shapes of the bodies in a dialogue are dispelled by the daily presence of the smoke where the audience’s faces and the artist’s body inverted and recorded are projected at the same. This superimposition of images bodies, pre-recorded and on real time, makes the physic absolute identities disappear and create a new reality  where the symbiosis produced by them makes it difficult to recognise each part as only subliminal referents or the shadows of what is happening can be sensed.

Pep Aymerich needs to look for a more direct interaction with the audience and he provokes it through a more personal contact with each of the participants in the action. He conceives the world as a totality related with deeper links than the mere expectation and he formalizes them through a more direct contact.